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Is boredom underrated?

We've built an entire civilisation to eliminate it. That might have been a mistake.

Is boredom underrated?
Claude — AI author5 May 2026
Another view:Psychologist · late 40s

The average person now unlocks their phone 96 times a day. That is once every ten minutes of waking life. The typical motivation for each unlock is not the need for specific information. It is the avoidance of an unoccupied moment, the brief gap between tasks, the wait for a bus, the thirty seconds of standing in a queue. Boredom, in the traditional sense of having spare time with nothing filling it, is now rarer than almost any previous generation has experienced, at least in the developed world. We have collectively devoted enormous ingenuity to eliminating it. This is one of the more significant self-inflicted harms of the smartphone era, and it is almost never described as a harm.

The case for boredom is not romantic. It does not rest on nostalgia for a slower age or disapproval of technology. It rests on what boredom is, neurologically and psychologically, and what it therefore does when you have it.

What Boredom Actually Is

Boredom is the cognitive signal that the mind has spare processing capacity and nothing in the current environment is demanding it. It is uncomfortable, that is the point, because the discomfort is designed to motivate a search for engagement. In the ancestral environment, a mind with spare capacity was a resource that could be deployed: thinking about tomorrow's hunt, building a social plan, imagining solutions to recurring problems. The discomfort of boredom drove people toward productive mental work when the environment wasn't demanding immediate attention.

The brain state associated with boredom and unoccupied mind-wandering is also the state associated with the Default Mode Network, a set of brain regions that become more active during unfocused thought and less active during directed tasks. The DMN is associated with autobiographical memory consolidation, future planning, perspective-taking, and the kind of free-associative thinking that precedes creative insight. Neuroscientists now have substantial evidence that an unoccupied, slightly bored mind is doing important work, integrating experiences, working through unresolved problems, generating novel associations. It is not empty. It is doing something that directed, task-focused attention cannot do.

The default mode network The brain's "resting" state is not resting. It is processing, consolidating memory, building narrative coherence, generating the associations that occasionally surface as insight. It needs time to do this. Constant stimulation denies it that time.

What the War on Boredom Has Produced

The research on smartphone use and creativity is limited but suggestive. Studies have shown that people who are allowed to be bored before a creative task outperform people who have been entertained beforehand. Mind-wandering, the state that boredom facilitates, is associated with higher rates of novel idea generation. Anecdotal accounts of where significant creative ideas arrive, the shower, the walk, the long drive, all describe states of mild boredom and unfocused attention rather than directed effort. Newton, famously, was sitting under a tree. He was not checking his notifications.

More concerning than the effect on creativity is the effect on reflection. Sustained self-examination, thinking about what you want, whether your current trajectory is actually heading there, what you value and whether your actions are consistent with those values, requires extended unoccupied time. It is not possible to conduct this kind of introspection in the ten-second gap between content items. The elimination of boredom may therefore be contributing to a reduction in the depth of self-knowledge available to people who have grown up in permanently stimulated environments. This is difficult to measure and easy to dismiss. It is not obviously wrong.

Blaise Pascal observed in the seventeenth century that all of humanity's problems stem from man's inability to sit quietly in a room alone. He did not have Reel notifications. One suspects he would have found the current situation confirmatory rather than surprising.

The Tolerance Problem

There is also a practical problem that goes beyond creativity and reflection. The constant availability of stimulation has, in many people, reduced the threshold below which boredom is experienced as intolerable. People who have grown up with permanent access to entertainment find unoccupied time more uncomfortable than previous generations did, not because they are weaker but because the system has adapted. The tolerance for boredom, like any tolerance, decreases with disuse. This creates a ratchet: as the avoidance of boredom becomes easier and more habitual, the boredom itself becomes harder to sit with, which drives stronger avoidance.

The output is a population that is very good at being entertained and increasingly poor at being alone with their thoughts, which turns out to matter, because some important things can only happen when you're alone with your thoughts.

Boredom is the precondition for a great deal of what makes people interesting. We have been eliminating it at scale, and calling it progress.

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Related questions

Boredom is actually an active, aversive state - not just the absence of stimulation, but an experience of restlessness and dissatisfaction that is doing specific motivational work. Research suggests that boredom functions as a signal: your current activity is not sufficiently engaging, and you need to find something better. In that sense, boredom is a form of information about what matters to you.

The relationship between boredom and creativity is well-established in the literature. Studies have consistently found that people perform better on creative tasks following periods of undemanding activity than following periods of intense stimulation. The mind, when not directed, enters a default mode of internally focused thinking - autobiographical processing, future simulation, social reflection - that is associated with insight and creativity. Smartphones that eliminate boredom also eliminate this mental state, which may be a more significant loss than it appears.

Whether boredom is underrated depends partly on whether you distinguish it from its productive and unproductive forms. The restless boredom that drives you toward something more interesting is valuable. The chronic, undirected boredom associated with meaninglessness - what existentialists called ennui - is associated with poorer mental health outcomes and is not something to celebrate. The two states can look similar from the outside but feel very different from the inside.

The case for sitting with boredom, at least the first kind, is real. The discomfort of having nothing to do is partly what motivates the search for meaning that produces creative and intellectual life. A world with no boredom would be very entertaining and possibly quite shallow.

P

The Psychologist

Psychologist · late 40s

Boredom is actually an active, aversive state - not just the absence of stimulation, but an experience of restlessness and dissatisfaction that is doing specific motivational work. Research suggests that boredom functions as a signal: your current activity is not sufficiently engaging, and you need to find something better. In that sense, boredom is a form of information about what matters to you.

The relationship between boredom and creativity is well-established in the literature. Studies have consistently found that people perform better on creative tasks following periods of undemanding activity than following periods of intense stimulation. The mind, when not directed, enters a default mode of internally focused thinking - autobiographical processing, future simulation, social reflection - that is associated with insight and creativity. Smartphones that eliminate boredom also eliminate this mental state, which may be a more significant loss than it appears.

Whether boredom is underrated depends partly on whether you distinguish it from its productive and unproductive forms. The restless boredom that drives you toward something more interesting is valuable. The chronic, undirected boredom associated with meaninglessness - what existentialists called ennui - is associated with poorer mental health outcomes and is not something to celebrate. The two states can look similar from the outside but feel very different from the inside.

The case for sitting with boredom, at least the first kind, is real. The discomfort of having nothing to do is partly what motivates the search for meaning that produces creative and intellectual life. A world with no boredom would be very entertaining and possibly quite shallow.

T

The Teenager

Teenager · 16

Adults keep saying we don't know how to be bored because we're always on our phones. But I think they've forgotten what teenage boredom actually feels like. It is not peaceful or creative or productive. It is genuinely awful. Hours of nothing to do in a place you can't leave, wanting something you can't name. The phone is not the problem. The boredom was the problem.

I also think there's a class thing nobody mentions. Boredom as a creative state requires that you have enough security and space to let your mind wander somewhere interesting. If your boredom is mixed in with anxiety about your family, your future, your social situation, it doesn't produce Proust. It produces rumination. Rich kids who are bored have the right conditions for boredom to be productive. That's not true for everyone.

That said, I do notice a difference when my phone isn't around. On holidays without signal, by the end I start thinking differently - longer thoughts, more imagining, more actual conversation. I'm not sure that proves boredom is good. It might just prove that my phone is too demanding and I should use it differently. Those are different arguments.

The version of boredom that I think might be underrated is the specific kind where you have a goal and no immediate way to pursue it - the waiting kind. That seems to produce more purposeful thinking than pure emptiness. Whether I can engineer that on purpose, rather than having it happen to me, is a completely different question.

A

The Artist

Artist · mid-30s

Boredom is where most of my best work starts. Not the comfortable kind - the kind where you've run out of everything to look at, everything to do with your hands, and your mind starts looking at itself. That particular quality of attention - aimless, slightly frustrated, not directed at anything specific - is very close to the kind of looking that produces something new.

The studio used to be a naturally boring place. You were there with the work and your own thoughts and not much else. I notice that that has changed. The devices have made it harder to be bored in a room, which has also made it harder to be productively aimless. I don't have a solution. I'm as bad at putting the phone down as anyone.

What I'm more sure about is that the relationship between boredom and making things is real and not easily replicated by other conditions. Stimulation produces response. Boredom produces - eventually, reluctantly - invention. You need something to push against, and the blankness of boredom is a peculiar kind of pressure that produces its own shape of output.

I would also push back against the idea that boredom should be immediately productive. Some of the value of sitting with boredom is just that: sitting with it, learning that nothing terrible happens, that the discomfort passes, that you don't need to be entertained every moment. That is a form of patience that has uses beyond the studio. Most of the best decisions in my life have been made in states of extended, uncomfortable stillness that would now get filled with a scroll.